historick\u00fdch kopi\u00ed.<\/a><\/p>\n\n\n\n<\/p>\n\n\n\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
B\u011bhem dlouh\u00fdch let opravov\u00e1n\u00ed hudebn\u00edch n\u00e1stroj\u016f jsme z\u00edskaly zku\u0161enosti a osvojili jsme si v\u00fdrobn\u00ed postupy na\u0161ich p\u0159edk\u016f, d\u00edky \u010demu jsme se stali vyhled\u00e1van\u00fdmi i mezi sb\u011brateli a muzei. Dovolte n\u00e1m kr\u00e1tce n\u011bkter\u00e9 restaur\u00e1torsk\u00e9 pr\u00e1ce p\u0159ibl\u00ed\u017eit. Kytara Emy Destinnov\u00e9 Kdo by neznal sv\u011btov\u011b v\u011bhlasnou opern\u00ed p\u011bvkyni Emu Destinnovou (1878-1930). Krom\u011b zp\u011bvu byla i multiinstrumentalistkou a mezi n\u00e1stroje, kter\u00e9 ovl\u00e1dala pat\u0159\u00ed housle, klav\u00edr, mal\u00e9 varhany, cembalo, kytara a mo\u017en\u00e1 i dal\u0161\u00ed. Pr\u00e1v\u011b ve sb\u00edrk\u00e1ch muzea Jind\u0159ichohradecka se nach\u00e1z\u00ed mnoho jej\u00edch osobn\u00edch p\u0159edm\u011bt\u016f a n\u011bkter\u00e9 jej\u00ed hudebn\u00ed n\u00e1stroje na kter\u00e9 hr\u00e1la. O Em\u011b Destinnov\u00e9 by se dalo ps\u00e1t dlouho, ale dovolte, abych se zam\u011b\u0159il pr\u00e1v\u011b na kytaru z Jind\u0159ichohradeck\u00e9ho muzea, kterou jsme m\u011bli tu \u010dest restaurovat. Takov\u00fdto po\u010din je dlouhodob\u00e1 z\u00e1le\u017eitost a vy\u017eaduje podrobn\u00fd pr\u016fzkum a dokumentaci n\u00e1stroje, jej\u00ed konstrukce a stavu ne\u017e v\u016fbec oprava zapo\u010dne. Po prvotn\u00ed n\u00e1v\u0161t\u011bv\u011b, kde do\u0161lo k zmapov\u00e1n\u00ed n\u00e1stroje a dokumentaci jsme vypracovali pracovn\u00ed postup a n\u00e1vrh realizace opravy. Po jeho schv\u00e1len\u00ed jsme ji\u017e mohli zapo\u010d\u00edt s opravou. Popis cel\u00e9 opravy by zabral n\u011bkolik stran tak snad jen p\u00e1r fotek z pr\u016fb\u011bhu opravy. Ji\u017e v pr\u016fb\u011bhu opravy jsme m\u011bli svolen\u00ed k v\u00fdrob\u011b dvou kopi\u00ed, kter\u00e9 jsou ji\u017e tak\u00e9 dokon\u010deny a m\u016f\u017eete si je prohl\u00e9dnout v galerii historick\u00fdch kopi\u00ed.<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"iawp_total_views":135,"footnotes":""},"class_list":["post-290","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ateliersvoboda.com\/index.php?rest_route=\/wp\/v2\/pages\/290","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ateliersvoboda.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ateliersvoboda.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ateliersvoboda.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ateliersvoboda.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=290"}],"version-history":[{"count":11,"href":"https:\/\/ateliersvoboda.com\/index.php?rest_route=\/wp\/v2\/pages\/290\/revisions"}],"predecessor-version":[{"id":521,"href":"https:\/\/ateliersvoboda.com\/index.php?rest_route=\/wp\/v2\/pages\/290\/revisions\/521"}],"wp:attachment":[{"href":"https:\/\/ateliersvoboda.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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