{"id":31,"date":"2026-01-15T08:36:16","date_gmt":"2026-01-15T08:36:16","guid":{"rendered":"https:\/\/ateliersvoboda.com\/?page_id=31"},"modified":"2026-05-24T17:43:24","modified_gmt":"2026-05-24T17:43:24","slug":"o-nas","status":"publish","type":"page","link":"https:\/\/ateliersvoboda.com\/","title":{"rendered":"O n\u00e1s"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Ateli\u00e9r Svoboda se zab\u00fdv\u00e1 stavbou, opravami a restaurov\u00e1n\u00edm strunn\u00fdch a smy\u010dcov\u00fdch hudebn\u00edch n\u00e1stroj\u016f se zam\u011b\u0159en\u00edm na stavbu n\u011bkolika model\u016f akustick\u00fdch kytar od \u0161koln\u00edch n\u00e1stroj\u016f a\u017e po mistrovsk\u00e9 koncertn\u00ed n\u00e1stroje. B\u011bhem let jsme vyrobili tak\u00e9 velk\u00e9 mno\u017estv\u00ed historick\u00fdch n\u00e1stroj\u016f, jako jsou harfy, fiduly, trum\u0161ajty, nin\u011bry a dal\u0161\u00ed.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large is-style-default\"><a href=\"https:\/\/ateliersvoboda.com\/wp-content\/uploads\/2026\/01\/karluv-most.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"739\" data-id=\"319\" src=\"https:\/\/ateliersvoboda.com\/wp-content\/uploads\/2026\/01\/karluv-most-1024x739.jpg\" alt=\"\" class=\"wp-image-319\" srcset=\"https:\/\/ateliersvoboda.com\/wp-content\/uploads\/2026\/01\/karluv-most-1024x739.jpg 1024w, https:\/\/ateliersvoboda.com\/wp-content\/uploads\/2026\/01\/karluv-most-300x216.jpg 300w, https:\/\/ateliersvoboda.com\/wp-content\/uploads\/2026\/01\/karluv-most-768x554.jpg 768w, https:\/\/ateliersvoboda.com\/wp-content\/uploads\/2026\/01\/karluv-most-1536x1108.jpg 1536w, https:\/\/ateliersvoboda.com\/wp-content\/uploads\/2026\/01\/karluv-most-1140x822.jpg 1140w, https:\/\/ateliersvoboda.com\/wp-content\/uploads\/2026\/01\/karluv-most.jpg 1996w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Trocha historie<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Ateli\u00e9r Svoboda byl otev\u0159en v roce 1992 v mal\u00e9 provozovn\u011b ve \u0160meralov\u011b ulici, nedaleko Letensk\u00e9ho n\u00e1m\u011bst\u00ed. Postupem \u010dasu se v\u0161ak rozr\u016fstal a nedostate\u010dn\u011b velk\u00e9 prostory a vybavenost n\u00e1s donutily se n\u011bkolikr\u00e1t p\u0159est\u011bhovat. V sou\u010dasn\u00e9 dob\u011b p\u016fsob\u00edme v ulici Havansk\u00e1 18 na Praze 7. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ateli\u00e9r Svoboda zalo\u017eil mistr V\u00e1clav Svoboda stavitel a oprav\u00e1\u0159 strunn\u00fdch hudebn\u00edch n\u00e1stroj\u016f. Po dobu 10 let p\u016fsobil jako oprav\u00e1\u0159 hudebn\u00edch n\u00e1stroj\u016f pod tehdej\u0161\u00edm z\u00e1vodem IGRA. Ji\u017e p\u0159edt\u00edm v\u0161ak p\u016fsobil v oblasti oprav a stavby strunn\u00fdch hudebn\u00edch n\u00e1stroj\u016f, kdy\u017e pravideln\u011b doch\u00e1zel k mistru housla\u0159i <a href=\"https:\/\/ateliersvoboda.com\/?page_id=72\">Anton\u00ednu Kolomazn\u00edkovi<\/a>, kter\u00fd jej zasv\u011btil do stavby strunn\u00fdch hudebn\u00edch n\u00e1stroj\u016f. St\u00e1l u zrodu a byl jedn\u00edm z prvn\u00edch v\u00fdrobc\u016f Banja v tehdej\u0161\u00edm \u010ceskoslovensku. B\u011bhem sv\u00e9 v\u00edce ne\u017e \u010dty\u0159icetilet\u00e9 \u010dinnosti vyrobil mno\u017estv\u00ed rozli\u010dn\u00fdch strunn\u00fdch n\u00e1stroj\u016f. Jednalo se zejm\u00e9na o klasick\u00e9 kytary a akustick\u00e9 kytary, ale i housle, harfy, loutny, nin\u011bry a dal\u0161\u00ed historick\u00e9 kopie gotick\u00fdch, renesan\u010dn\u00edch a barokn\u00edch n\u00e1stroj\u016f. Od roku 1998 s n\u00edm spolupracuje i jeho syn Roman. V roce 1995 se v\u00fdroba v\u011bt\u0161inov\u011b p\u0159eorientovala na n\u011bkolik model\u016f klasick\u00e9 kytary. Inspirac\u00ed pro n\u00e1s byla kytara Grega Smallmana, kter\u00fd posunul v\u00fdvoj ve stavb\u011b k vy\u0161\u0161\u00ed kvalit\u011b t\u00f3nu. Po mnoha zkou\u0161k\u00e1ch se poda\u0159ilo postavit n\u00e1stroj, kter\u00fd snese srovn\u00e1n\u00ed se \u0161pi\u010dkov\u00fdmi n\u00e1stroji ve sv\u011bt\u011b, co\u017e dokl\u00e1daj\u00ed lid\u00e9 ze v\u0161ech kout\u016f sv\u011bta, kte\u0159\u00ed na n\u011b hraj\u00ed. V roce 2001 nav\u0161t\u00edvil V\u00e1clav Svoboda v\u00fdrobce Grega Smallmana v Austr\u00e1lii, kde si vym\u011bnili zku\u0161enosti ze stavby klasick\u00e9 kytary. V sou\u010dasn\u00e9 dob\u011b pou\u017e\u00edv\u00e1me vlastn\u00ed konstrukci n\u00e1stroje na b\u00e1zi lattice s uhl\u00edkov\u00fdmi kompozity.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ateli\u00e9r Svoboda se zab\u00fdv\u00e1 stavbou, opravami a restaurov\u00e1n\u00edm strunn\u00fdch a smy\u010dcov\u00fdch hudebn\u00edch n\u00e1stroj\u016f se zam\u011b\u0159en\u00edm na stavbu n\u011bkolika model\u016f akustick\u00fdch kytar od \u0161koln\u00edch n\u00e1stroj\u016f a\u017e po mistrovsk\u00e9 koncertn\u00ed n\u00e1stroje. B\u011bhem let jsme vyrobili tak\u00e9 velk\u00e9 mno\u017estv\u00ed historick\u00fdch n\u00e1stroj\u016f, jako jsou harfy, fiduly, trum\u0161ajty, nin\u011bry a dal\u0161\u00ed. Trocha historie Ateli\u00e9r Svoboda byl otev\u0159en v roce 1992 v mal\u00e9 provozovn\u011b ve \u0160meralov\u011b ulici, nedaleko Letensk\u00e9ho n\u00e1m\u011bst\u00ed. Postupem \u010dasu se v\u0161ak rozr\u016fstal a nedostate\u010dn\u011b velk\u00e9 prostory a vybavenost n\u00e1s donutily se n\u011bkolikr\u00e1t p\u0159est\u011bhovat. V sou\u010dasn\u00e9 dob\u011b p\u016fsob\u00edme v ulici Havansk\u00e1 18 na Praze 7. Ateli\u00e9r Svoboda zalo\u017eil mistr V\u00e1clav Svoboda stavitel a oprav\u00e1\u0159 strunn\u00fdch hudebn\u00edch n\u00e1stroj\u016f. Po dobu 10 let p\u016fsobil jako oprav\u00e1\u0159 hudebn\u00edch n\u00e1stroj\u016f pod tehdej\u0161\u00edm z\u00e1vodem IGRA. Ji\u017e p\u0159edt\u00edm v\u0161ak p\u016fsobil v oblasti oprav a stavby strunn\u00fdch hudebn\u00edch n\u00e1stroj\u016f, kdy\u017e pravideln\u011b doch\u00e1zel k mistru housla\u0159i Anton\u00ednu Kolomazn\u00edkovi, kter\u00fd jej zasv\u011btil do stavby strunn\u00fdch hudebn\u00edch n\u00e1stroj\u016f. St\u00e1l u zrodu a byl jedn\u00edm z prvn\u00edch v\u00fdrobc\u016f Banja v tehdej\u0161\u00edm \u010ceskoslovensku. B\u011bhem sv\u00e9 v\u00edce ne\u017e \u010dty\u0159icetilet\u00e9 \u010dinnosti vyrobil mno\u017estv\u00ed rozli\u010dn\u00fdch strunn\u00fdch n\u00e1stroj\u016f. Jednalo se zejm\u00e9na o klasick\u00e9 kytary a akustick\u00e9 kytary, ale i housle, harfy, loutny, nin\u011bry a dal\u0161\u00ed historick\u00e9 kopie gotick\u00fdch, renesan\u010dn\u00edch a barokn\u00edch n\u00e1stroj\u016f. Od roku 1998 s n\u00edm spolupracuje i jeho syn Roman. V roce 1995 se v\u00fdroba v\u011bt\u0161inov\u011b p\u0159eorientovala na n\u011bkolik model\u016f klasick\u00e9 kytary. Inspirac\u00ed pro n\u00e1s byla kytara Grega Smallmana, kter\u00fd posunul v\u00fdvoj ve stavb\u011b k vy\u0161\u0161\u00ed kvalit\u011b t\u00f3nu. Po mnoha zkou\u0161k\u00e1ch se poda\u0159ilo postavit n\u00e1stroj, kter\u00fd snese srovn\u00e1n\u00ed se \u0161pi\u010dkov\u00fdmi n\u00e1stroji ve sv\u011bt\u011b, co\u017e dokl\u00e1daj\u00ed lid\u00e9 ze v\u0161ech kout\u016f sv\u011bta, kte\u0159\u00ed na n\u011b hraj\u00ed. V roce 2001 nav\u0161t\u00edvil V\u00e1clav Svoboda v\u00fdrobce Grega Smallmana v Austr\u00e1lii, kde si vym\u011bnili zku\u0161enosti ze stavby klasick\u00e9 kytary. V sou\u010dasn\u00e9 dob\u011b pou\u017e\u00edv\u00e1me vlastn\u00ed konstrukci n\u00e1stroje na b\u00e1zi lattice s uhl\u00edkov\u00fdmi kompozity.<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"iawp_total_views":907,"footnotes":""},"class_list":["post-31","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ateliersvoboda.com\/index.php?rest_route=\/wp\/v2\/pages\/31","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ateliersvoboda.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ateliersvoboda.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ateliersvoboda.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ateliersvoboda.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=31"}],"version-history":[{"count":30,"href":"https:\/\/ateliersvoboda.com\/index.php?rest_route=\/wp\/v2\/pages\/31\/revisions"}],"predecessor-version":[{"id":531,"href":"https:\/\/ateliersvoboda.com\/index.php?rest_route=\/wp\/v2\/pages\/31\/revisions\/531"}],"wp:attachment":[{"href":"https:\/\/ateliersvoboda.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=31"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}